![]() 4 (which he entitled “The Tragic”) was clearly the work of a young composer still under a Beethovenian spell, a young man struggling with the shadow cast by Vienna’s resident 800-pound musical gorilla. Orchestration: flute, 2 oboes, 2 bassoons, 2 horns, and stringsįirst LA Phil performance: December 1, 1938, with Otto Klemperer conductingĪ Vienna native, Schubert grew up with the figure of Ludwig van Beethoven, also a Viennese resident at the time, looming large. As with the first movement, it is bouncy and jocular, with frequent harmonic surprises. The Finale, marked Allegro vivace, builds on the dance-like Minuet. ![]() 40 (also in G minor and a work which clearly influenced Schubert). Many believe this movement, in G minor, is an homage to Mozart’s Symphony No. The Menuetto is a typical dance movement at first. The Andante con moto sings, even sighs at times. If the first movement is a leap, the second is a soft landing. Jaunty and tuneful, the principal themes are introduced with the unmistakable Schubertian chromaticism totally in evidence. ![]() The fresh, unencumbered opening of the Allegro is lightness itself. 4, is often described as a work which pays homage to the Classical masters Mozart and Haydn.
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